Godzilla x Kong: The New Empire Coloring Pages
Free Godzilla x Kong: The New Empire coloring pages – 20+ pages featuring Godzilla in his evolved pink form, Kong with the B.E.A.S.T. Glove, the Skar King, Shimo, the juvenile ape Suko, Hollow Earth environments, battle scenes, and the Rio de Janeiro climax – free printable PDF and online coloring for MonsterVerse fans of all ages.
Godzilla x Kong: The New Empire is the fifth film in Legendary Pictures’ MonsterVerse – the interconnected series of Titan monster films that began with Godzilla in 2014 – directed by Adam Wingard and released on March 29, 2024. The film earned approximately $567 million worldwide and is the highest-grossing MonsterVerse film to date, reflecting the franchise’s evolution from the more human-drama-weighted early entries toward a visual approach that centers the monsters themselves as the primary subjects of audience attention.
The film’s premise is set between two locations. In the Hollow Earth – the vast inner world beneath Earth’s surface that the MonsterVerse established in Godzilla vs. Kong (2021) as a second ecosystem as large and complex as the surface – Kong is exploring and discovers a community of enslaved apes under the domination of the Skar King, a cruel and powerful Titan whose control depends on a whip fashioned from the bone of the freeze-breathing Titan Shimo. On the surface, Godzilla is absorbing radiation from atomic sites across Europe and transforming – his dorsal spines, historically blue, shifting to a vivid pink as his body processes a different category of nuclear energy.
The two storylines converge in Rio de Janeiro for a climax that puts Godzilla and Kong, as uneasy allies, against the Skar King and a freed Shimo in a battle at a scale that makes the film’s predecessors look restrained. The visual ambition of the production – the bioluminescent Hollow Earth, the evolved Godzilla, Kong’s golden mechanical gauntlet – gives the coloring pages in this collection more chromatic variety than any previous MonsterVerse collection would have produced.
These 20+ free pages at ColoringPagesOnly.com cover the full Titan cast of the film. All free, PDF or PNG, print or color online.
What’s Inside
Godzilla – Evolved Form
Godzilla is the MonsterVerse’s apex predator – the dominant Titan of Earth’s surface, ancient beyond human comprehension, and the consistent point around which the franchise’s mythology is organized. His previous appearances established a visual vocabulary: dark grey-green scales, blue atomic breath, and the distinctive serrated dorsal spines that glow blue before and during an atomic blast.
The New Empire changes this vocabulary in a specific and visually dramatic way. Godzilla absorbs radiation from multiple atomic sources across Europe – the film shows him passing through France and Rome in search of specific energy – and the absorbed radiation transforms his dorsal spines from blue to a vivid rose-pink. The evolved Godzilla is the same creature with a different chromatic identity: the pink dorsal spines are the film’s most immediately recognizable visual departure from the franchise’s established aesthetic.
The pink evolved form is not cosmetic. The evolved Godzilla’s atomic breath changes as well – the beam takes on a pink-tinged quality that the film uses in the Rio de Janeiro climax to melt the ice Shimo produces, creating a visual language where Godzilla’s pink evolution is the specific counter to Shimo’s blue-white freeze power.
The Godzilla pages in the collection cover both his standard form – familiar from the franchise’s previous entries – and the evolved pink form that is specific to this film.
Coloring Evolved Godzilla: The decision is the dorsal spines. Standard Godzilla: dark grey-green scales, blue spines. Evolved Godzilla: the same dark grey-green scales with rose-pink spines. The spines’ gradient runs from a deeper magenta-pink at their base to a brighter, more vivid rose-pink at their tips, with a very pale glow effect at the absolute tips when he is about to use atomic breath. The scales themselves require the standard three-zone treatment: lighter grey-green on the top of the body and raised scale edges, mid-tone across the main body surfaces, dark in the recessed areas between scale rows. The contrast between the dark body and the vivid pink spines is the image’s entire visual argument.
Kong – With the B.E.A.S.T. Glove
Kong is the MonsterVerse’s most emotionally legible character – he has always been the franchise’s point of audience identification in a way that the more ancient, less expressively animated Godzilla is not designed to be. He has a face that communicates, a posture that reads, a relationship to his environment that implies thought rather than instinct.
In The New Empire, Kong arrives in the Hollow Earth already established as its king but essentially isolated – the last of his kind, which the film treats as a loneliness that motivates his exploration and that gives the discovery of the Skar King’s enslaved ape population its emotional weight. His injury during an early confrontation leads to the film’s most significant new visual element: Trapper, the Titan veterinarian played by Dan Stevens, fits Kong with the B.E.A.S.T. Glove – the Battle Equipped Armored Spiked Titan Glove – a golden mechanical gauntlet that replaces the damaged arm and that Kong deploys with increasing skill across the film’s second half.
The B.E.A.S.T. Glove is the most visually distinctive addition to Kong’s design in the franchise. It is large-scale to Kong’s enormous hand and arm – metallic gold, and fitted with spikes along the knuckles and back of the hand that make it effective both as a weapon and as a defense. When Kong uses it to fire a charge through contact with Godzilla’s atomic breath, the combination produces the film’s most dramatic single visual effect.
Coloring Kong: His fur is a warm medium brown – darker along the back and upper body, lighter on the chest, inner arms, and face. The three-zone approach applies to the fur as it does to scales: the deepest brown in the shadow areas between muscle masses, the mid-tone brown across the main body surfaces, and a lighter warm brown where the fur catches direct light. The B.E.A.S.T. Glove is the page’s most technically interesting element – metallic gold, meaning the standard metallic technique applies: warm pale gold highlights on the surfaces facing the light, mid-tone gold across the main surfaces, warm amber-gold in the recessed and shadow areas. The spikes on the glove are the darkest elements, with very bright highlights at their tips.
Skar King – The Villain
The Skar King is the film’s primary antagonist – a large ape Titan who has dominated the Hollow Earth’s ape population through force and the specific cruelty of controlling Shimo, forcing her to maintain the cold environments that suppress the enslaved apes’ resistance. His design is deliberately differentiated from Kong: where Kong is broad, brown, and read as powerful through mass, the Skar King is more angular, leaner in proportion, with a color palette and physical texture that reads as alien relative to Kong’s more accessible simian design.
He has elongated limbs relative to his body, a posture that is more hunched and predatory than Kong’s upright bearing, and a distinctive set of bony crests along his body that give him an angular, spiny silhouette. His coloring is in the warm orange-red range – the specific palette that the film uses to distinguish him from both Kong (brown) and Shimo (blue-white), and that reads visually as fire to Shimo’s ice.
The whip of control – a length of Shimo’s own bone that the Skar King uses to inflict pain and thereby force Shimo’s compliance – is a recurring visual element in his pages. It trails from his hand in action poses and is the instrument of his specific cruelty.
Coloring the Skar King: Warm orange-red across his primary body surfaces – not the same red as standard fire but a specific orange-shifted warm red that reads as both organic and threatening. The bony crests are slightly paler – a warm cream or very light orange-tan – to differentiate them as a different biological material from the main skin. The whip is bone-white to pale tan, with a single continuous line or curve across pages where it is visible.
Shimo – The Enslaved Titan
Shimo is an ancient Titan of extraordinary power – her cryogenic breath can freeze surfaces at the Titan scale, which the film uses to establish her as a threat comparable to Godzilla’s atomic capability. Her design is massive, multi-limbed, and in the visual family of dragons without being a literal dragon: a large body, powerful limbs, and a long neck that terminates in a head with the specific anatomy of a creature built to project force at range.
Her color palette is the visual opposite of the Skar King’s: where he is orange-red, she is blue-white – the cold end of the spectrum, consistent with her breath weapon and with her role as the ice-based threat that requires Godzilla’s evolved pink atomic breath to counter. The film uses this warm-cool opposition deliberately across every scene involving both characters.
Her pages are the collection’s largest in terms of sheer physical scale – Shimo is depicted as comparable in size to Godzilla, making her the most volumetrically imposing character in the collection outside of Godzilla himself.
Coloring Shimo: A blue-white primary palette – the cool, desaturated white of ice with blue undertones in the shadow areas. The lightest surfaces of her body are near-white; the shadow areas shift toward a deep, desaturated blue-grey. Any visible frost or ice effects around her – breath condensation, the surfaces she has frozen – should be even cooler in tone, with pure white highlights at the crystallized points of maximum ice formation.
Suko – The Juvenile Ape
Suko is a young member of the Skar King’s enslaved ape tribe – a small relative to the adult Titans, initially wary of Kong, and gradually developing the affection that makes him Kong’s companion across the film’s second half. He is the collection’s most accessible character in terms of design complexity: smaller, rounder, with the proportions of a juvenile animal that reads as recognizably young.
His relationship with Kong is the film’s most directly emotional – the specific warmth of an isolated creature finding an unexpected companion in a hostile environment. Suko’s presence gives Kong a relationship to protect rather than simply a mission to complete.
Coloring Suko: Warmer orange-brown than Kong’s deeper brown – the lighter, slightly more orange fur of a young ape, less weathered and darker-toned than the adult’s. His face is the most expressive element of his design: large eyes, readable expressions, the specific face of an animal that the audience is meant to like immediately.
Battle and Action Pages
The collection’s most compositionally complex pages show the Titans in combat or in the specific visual language of confrontation – two massive bodies in a physical hierarchy, the spatial relationship between them telling the story of the encounter before any action has occurred.
The Skar King vs. Kong pages use the size and design contrast between the two apes – Kong’s broader, more grounded mass against the Skar King’s angular reach – to establish the fight’s visual logic before the poses are read in detail. The Godzilla vs. Shimo pages use the warm-cool color opposition to do the same work through the palette.
The most dramatic pages – Godzilla and Kong standing together against the Skar King and Shimo in the Rio de Janeiro environment – capture the film’s central visual achievement: two franchise monsters as allies rather than opponents, their combined silhouette against a recognizable urban skyline.
Hollow Earth Environment Pages
Pages that show the Hollow Earth environment – the vast bioluminescent underground world – give the collection its most chromatic background material. The Hollow Earth is lit by its own biology: glowing plants, luminous fungi, bioluminescent water that catches and amplifies whatever light exists in the cavern. The color palette is vivid, cool-shifted, and unlike any surface environment: blues, purples, teals, and occasional warm gold bioluminescent points against a predominantly dark background.
Coloring Hollow Earth backgrounds: The contrast approach serves these pages best: very dark background (near-black, with subtle blue-purple shift), vivid bioluminescent elements rendered at full saturation – teal, blue, purple, occasional warm gold – and the Titan characters rendered in their canonical colors against this vivid background. The contrast between the dark caves and the vivid bioluminescence is the entire visual logic of the environment.
What These Pages Do
The MonsterVerse has developed one of contemporary cinema’s most distinctive color languages. Godzilla’s evolved pink is not an arbitrary choice – it is the film’s visual solution to the problem of needing to establish Godzilla as changed while maintaining his iconographic identity. The pink spines work because they are specific, unexpected, and memorable. Coloring the evolved Godzilla is engaging with a design decision that communicates transformation through a single chromatic shift.
The warm-cool opposition of Skar King (orange-red) and Shimo (blue-white) is a classic visual storytelling technique. Warm colors advance and feel threatening; cool colors recede and feel powerful in a different register. The film places a warm-toned villain in control of a cool-toned weapon, then uses Godzilla’s warm atomic breath to liberate that cool-toned weapon. The palette tells the story before a single plot point is processed. Coloring these pages while understanding this opposition teaches visual storytelling at a fundamental level.
Scale relationships are the most technically demanding element in monster coloring pages. When Godzilla and Suko appear in the same composition, Suko should be dramatically smaller – not slightly smaller, but the scale difference that exists between a building-sized creature and a human-sized one. Getting this relationship right in a coloring page requires planning before the first color is applied.
Fine motor development. The American Academy of Pediatrics identifies fine motor development as a key childhood milestone. The scale details, the bony crests of the Skar King, the mechanical structure of the B.E.A.S.T. Glove – all provide motivated, sustained fine motor practice. The 2005 Art Therapy Journal study on structured coloring and anxiety reduction applies throughout.
How to Color These Pages Well
The evolved Godzilla’s pink is the film’s signature decision – commit to it fully. This is not a pale blush pink or a soft rose. Godzilla’s evolved dorsal spines are a vivid, saturated magenta-rose – the specific pink of something that is producing light rather than reflecting it. Apply it at full pressure and full saturation. The contrast between the dark grey-green of his body and the bright pink of his spines is what makes the evolved form work visually. A timid, pale application of the spine color will make the page read as wrong.
Kong’s fur needs consistent light direction across a large, complex surface. Kong’s body is covered in fur – a surface that catches and loses light in a different way from scales. Fur has directionality: the fur lies in specific directions across different body regions, and light catches the tips of fur strands while shadow pools at the roots. Apply the lightest fur tone on the very top of Kong’s head, shoulders, and the upper surface of his arms, where the fur is most directly exposed to light. Apply the darkest tones under the jaw, in the armpits, and in the shadow areas between muscle masses. The B.E.A.S.T. Glove should be the warmest, most metallic element on the page – gold against the warm-brown fur reads with maximum contrast and impact.
Shimo’s ice breath effects need layering. Any page showing Shimo using her freeze breath presents the opportunity to render one of the film’s most distinctive visual effects. The breath itself: start with a very pale blue-white at the center of the stream, the coldest and most intense part of the beam. The surrounding condensation cloud should be a slightly warmer, more diffuse light blue. The frost that forms on any surface the breath contacts should be pure white with very pale blue in the crystal structures. Three distinct zones – central beam, condensation cloud, surface frost – make the effect read as fully rendered.
The Skar King’s bony crests need to read as a different material from his skin. His crests are bone – a different biological material from the warmer organic texture of his skin. Apply the skin’s orange-red across the body first. Then render the crests in a significantly cooler, lighter tone: the warm cream of old bone, slightly greyed where the bone is most exposed and weathered. The material contrast between warm skin and cool bone is what makes the crests read as structural rather than decorative.
Hollow Earth bioluminescence works best with a dark base. For any page with a Hollow Earth background, apply the darkest available color across all background areas first – near-black or very dark blue-purple. Then add the bioluminescent elements on top in their full vivid colors: teal, blue, violet, and occasional gold. The bioluminescence only reads as light-producing when it is rendered against darkness. On a white background, the same vivid colors would simply read as vivid colors rather than as sources of light.
5 Creative Craft Ideas
Evolved vs. Standard Godzilla Comparison
Print two Godzilla pages – if the collection includes both a standard form and an evolved form page, use those. If not, print two copies of the same Godzilla page. Color the first with the standard MonsterVerse Godzilla palette: dark grey-green scales, blue dorsal spines. Color the second with the evolved form: the same dark grey-green scales, vivid rose-pink dorsal spines.
Mount both side by side on a dark backing sheet. Add labels: “Godzilla – Standard Form” with the date of first appearance, “Godzilla – Evolved Form (The New Empire, 2024)” on the right. The comparison makes the specific chromatic change that distinguishes this film’s Godzilla immediately visible.
Titan Alliance Display
Print the most impressive Godzilla page and the most impressive Kong page. Color Godzilla in his evolved pink form – the full, vivid pink spines. Color Kong with the golden B.E.A.S.T. Glove prominently rendered.
Cut both out around their outlines. Mount both on a large dark backing sheet, standing side by side – Godzilla on the left, Kong on the right, each facing slightly toward the center of the page to suggest they are looking at the same threat. Add a title at the top: “King of the Monsters + King of the Hollow Earth.” The finished display captures the film’s central visual achievement: the alliance between the two franchise monsters.
Warm vs. Cold: The Color War
Print the Skar King page and the Shimo page. Color the Skar King in full warm orange-red – every warm-palette choice available. Color Shimo in full cool blue-white – every cool-palette choice available.
Mount both facing each other from opposite sides of a backing sheet, with a dividing line between them. On the warm/Skar King side: label “Control – Fire – Orange.” On the cool/Shimo side: label “Power – Ice – Blue.” The finished display makes the film’s warm-cool visual opposition explicit as a design lesson.
Kong and Suko: An Unexpected Friendship
Print one Kong page showing him in an open, non-combat pose – seated, looking down, or the most relaxed posture available. Print one Suko page. Color Kong in his canonical warm brown with the gold B.E.A.S.T. Glove visible. Color Suko in the lighter, warmer orange-brown of his juvenile fur.
Mount Suko in the lower portion of the backing sheet, looking up toward Kong. Mount Kong above, looking down – the size difference should be dramatic, with Suko appearing as a fraction of Kong’s physical scale. Add a simple caption: “Even the last of a kind can find unexpected company.” The finished display honors the film’s most emotionally resonant relationship.
Hollow Earth Diorama Background
Create a Hollow Earth diorama using the coloring pages as the main elements. On a large sheet of dark blue-black paper or cardboard (the cave background), add hand-drawn and hand-colored bioluminescent plant elements in teal, purple, and blue – simplified mushroom shapes, glowing tendril forms, luminous pool effects.
Print and color Titan pages in their canonical colors. Cut the Titans out around their outlines. Stand them upright in front of the bioluminescent background using folded cardboard tabs at the base.
The result is a three-dimensional diorama of the Hollow Earth with the Titan characters positioned as if exploring it – a craft that uses the coloring pages as elements in a larger constructed scene.
Frequently Asked Questions
What is Godzilla x Kong: The New Empire, and where does it fit in the MonsterVerse? Godzilla x Kong: The New Empire is a 2024 monster film directed by Adam Wingard, produced by Legendary Pictures and Warner Bros. Pictures, and released in theaters on March 29, 2024. It is the fifth film in the MonsterVerse – the interconnected franchise of Titan monster films that includes Godzilla (2014), Kong: Skull Island (2017), Godzilla: King of the Monsters (2019), and Godzilla vs. Kong (2021). The film grossed approximately $567 million worldwide, making it the highest-grossing film in the MonsterVerse to date. The franchise also includes the Apple TV+ series Monarch: Legacy of Monsters (2023–2024).
Why does Godzilla have pink dorsal spines in this film? In The New Empire, Godzilla absorbs radiation from multiple atomic sites across Europe – the film shows him entering areas of high atomic energy concentration in France and Rome – and the specific type of radiation he absorbs triggers a biological transformation. His dorsal spines, historically blue in the MonsterVerse’s established design, shift to a vivid rose-pink as his body processes and stores this different category of nuclear energy. The film calls this his “evolved” form. The pink spines are not merely cosmetic: Godzilla’s atomic breath also changes in character, and the evolved form’s specific energy type makes it the counter to Shimo’s freeze breath in the Rio de Janeiro climax.
Who is the Skar King, and what is his ability? The Skar King is the main antagonist of The New Empire – an ancient ape Titan who has dominated the Hollow Earth’s ape population through force and through control of Shimo, an ancient freeze-breathing Titan. His control of Shimo is maintained through a whip fashioned from Shimo’s own bone, which he uses to inflict pain and thereby compel her compliance. His physical capabilities are comparable to Kong’s, and his combat style relies on speed and reach rather than Kong’s power-through-mass approach. His design is deliberately more angular and alien than Kong’s more accessible simian appearance, with bony crests across his body and a warm orange-red color palette that the film uses in visual opposition to Shimo’s cool blue-white.
What is the B.E.A.S.T. Glov,e and how does Kong get it? The B.E.A.S.T. Glove – which stands for Battle Equipped Armored Spiked Titan Glove – is a golden mechanical gauntlet fitted to Kong’s right arm after he sustains an injury during an early confrontation in the Hollow Earth. It is designed and fitted by Trapper, a Titan veterinarian played by Dan Stevens, using technology adapted from human engineering scaled to Kong’s size. The glove restores Kong’s combat capability and adds offensive features – including spiked knuckles and the ability to channel and amplify electrical or atomic energy. It becomes one of the most distinctive visual elements of Kong’s appearance in the film and is immediately recognizable on any page that shows it.
Who is Shimo, and what can she do? Shimo is an ancient Titan of enormous power – comparable in scale to Godzilla – whose primary ability is cryogenic breath: a concentrated stream of extreme cold that can freeze surfaces at Titan scale, encasing opponents in ice or creating vast frozen environments. She has been enslaved by the Skar King through pain control since an undetermined point in Titan prehistory. Her design places her in the visual family of large reptilian or draconic creatures, with a body, head, and breath weapon optimized for range combat. Her liberation from the Skar King’s control – which requires the combined effort of Godzilla, Kong, and Suko – is the film’s primary plot resolution.
What age group is this film appropriate for? Godzilla x Kong: The New Empire is rated PG-13 in the United States – intended for audiences thirteen and older, with parental guidance suggested for younger viewers. The film contains extended sequences of Titan-scale combat violence, loud sound design, and visual intensity that may be overwhelming for very young children. The coloring pages in this collection present the film’s characters and visual design without the film’s sound design or motion intensity, making them more accessible for younger fans who have been introduced to the characters through merchandise, promotional materials, or family viewing with older relatives. Parents of children under eight should preview pages before printing, as some action pages may show confrontational monster imagery.
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Adam Wingard made two films with these characters – Godzilla vs. Kong (2021) and The New Empire (2024) – and the arc between them is a specific directorial decision: the first film uses the monsters as a backdrop for a human story, the second uses the humans as a backdrop for a monster story. The New Empire is the franchise’s most committed attempt to make the Titans themselves the primary subjects of audience attention, with the human characters serving as access points rather than protagonists.
The result is 115 minutes of Titan-scale action in the most chromatic MonsterVerse entry – the bioluminescent Hollow Earth, the evolved pink Godzilla, the golden gauntlet, the warm-cool opposition of the Skar King and Shimo.
Pick up your pink. Make the spines vivid. The King of the Monsters has evolved.
Share your work on Facebook and Pinterest and tag #Coloringpagesonly. We especially want to see the evolved vs. standard Godzilla comparisons and the Hollow Earth diorama projects.
Color the evolved King. Find the ally in the ape. New empire, new colors.
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